Pentatonics to the Modes
Fill the two 3-semitone gaps in the major or minor pentatonic to form any of the major modes, and see how shifting a single note moves you between them. Explore the feeling each mode produces by varying only those two tones, until you can identify and play them confidently.
Why
Add two notes to a pentatonic and you have a mode — the bridge from safe to expressive playing
Every mode uses the same set of triads, tetrads, and pentatonics; choosing a different root changes the role of every other note
The path
- Major Pentatonic: Root Shuffling
- Minor Pentatonic: Root Shuffling
- Lydian: Root Shuffling
- Ionian: Root Shuffling
- Mixolydian: Root Shuffling
- Dorian: Root Shuffling
- Aeolian: Root Shuffling
- Phrygian: Root Shuffling
- Lydian: Range Shifting
- Ionian: Range Shifting
- Mixolydian: Range Shifting
- Dorian: Range Shifting
- Aeolian: Range Shifting
- Phrygian: Range Shifting
- Lydian: Anchored
- Ionian: Anchored
- Mixolydian: Anchored
- Dorian: Anchored
- Aeolian: Anchored
- Phrygian: Anchored
- Lydian: Full Range
- Ionian: Full Range
- Mixolydian: Full Range
- Dorian: Full Range
- Aeolian: Full Range
- Phrygian: Full Range
- All Modes: Anchored
- All Modes: Full Range